Matsigenka iconography and weaving as a visual language. Theoretical foundations for intercultural arts education

Authors

DOI:

https://doi.org/10.35381/e.k.v9i17.4946

Keywords:

Iconography, Matsigenka weaving, visual language, theoretical foundations, intercultural arts education, (UNESCO Thesaurus).

Abstract

The purpose of this study was to analyze iconography and Matsigenka weaving as a visual language from its theoretical foundations for intercultural arts education. Methodologically, the research was conducted using a qualitative documentary approach, employing systematic review and content analysis as techniques and as instruments, record sheets and analysis matrices. Similarly, the PRISMA statement was used for the careful selection of studies. The results revealed relevant aspects such as identity and cultural appreciation, the development of artistic skills, their integration into curriculum design, and cognitive development through the promotion of critical appreciation and creativity. Based on the above, it was concluded that Matsigenka iconography and weaving have been essential for achieving interdisciplinary learning, a decolonized curriculum, and an indigenous visual language to promote dialogue between cultures.   

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Published

2026-01-01

How to Cite

Ortiz-Salas , D. A., Olano Dávila, A. M., Huamán Delgado, N., & Jimenez Taipe, L. (2026). Matsigenka iconography and weaving as a visual language. Theoretical foundations for intercultural arts education. EPISTEME KOINONIA, 9(17), 424–439. https://doi.org/10.35381/e.k.v9i17.4946

Issue

Section

De Investigación

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